Suite Romeo & Juliet (Dansa de festa major 2026)

Artistic credits

Konservatoriet

Choreographer: August Bournonville
Choreographic Adaptation: Alba Nadal
Choreographic Assistant: Rodolfo Castellanos
Music: Holger Simon Paulli
Set Design: LaFACT Technical Team
Lighting Technician: Enric Salvador
Costume Design: Beatriz Pastora Castell and Valentina Milagros González

Cast

Pas de trois: Francesc Saura, Lifei Serrano and Louna Yvonneau.
Corps de ballet: Abril Pulgar, Amparo Ochoa, Beatriz Robles, Carla Díez, Carla Nieto, Carolina Rehues, Claire Narat, Clara Voltas, Elettra Mariachiara, Elena Kathariou, Fabiana Miceu, Francesc Saura, Helena Miralles, Julia Gil, Julia Navarro, Julia Pardo, Laia Solís, Lifei Serrano, Louna Yvonneau, María del Mar Espinosa, M.ª Luisa Álvarez, Minerva Barca, Noa García, Noa Martín, Rocío González, Sofía Poblete and Tigran Stephanian.

 

Si te caes, te agarro

Choreographers: Louna Yvonneau and Minerva Barca
Music: Niv (Geju)
Performers: Louna Yvonneau and Minerva Barca

 

Romeo & Juliet (To Be Continued)

Choreographer: Kevin O’Day
Music: Sergei Prokofiev (Conductor: Valery Gergiev)
Set Design: LaFACT Technical Team
Lighting Technician: Enric Salvador
Costume Design: Fatima Alejandra Alas Clemente, Kevin Núñez, Néo Hémart and Yuna De Beer

Cast

Juliet: Julia Gil
Romeo: Francesc Saura
Mercutio: Helena Miralles
Benvolio: Julia Pardo
Tybalt: Lifei Serrano
Lady Capulet: Louna Yvonneau
Lord Capulet: Tigran Stephanian
Mayor: Beatriz Robles
Montague’s Girlfriends: Abril Pulgar (Romeo), Claire Narat (Mercutio) and Minerva Barca (Benvolio)
Councillors: Elena Kathariou and Elettra Mariachiara
Montagues: Noa Garcia, Julia Navarro, Sofía Poblete, Fabiana Miceu, M.ª Luisa Álvarez, M.ª del Mar Espinosa and Laia Solís.
Capulets: Noa Martín, Carolina Rehues, Carla Nieto, Clara Voltas, Carla Díez, Amparo Ochoa and Rocío González.

 

Acknowledgements: INS Terrassa

Running time: 65 minutes, including a 10-minute interval.

Suite Romeo & Juliet

Danza de Fiesta Mayor
PAR en Danza | LaFACT

We kick off our city’s celebrations by showcasing the work and talent of these young dancers.

In addition to this Romeo & Juliet Suite, adapted by choreographer Kevin O’Day, the programme will also feature the piece selected by the professional jury of the PAR en Danza Choreographic Workshops, as well as August Bournonville’s great masterpiece, Konservatoriet, adapted by Alba Nadal.

An evening bringing together classical, neoclassical and contemporary dance.

 

PROGRAMME

Konservatoriet. A Romantic classical piece, with choreographic adaptation by Alba Nadal, Artistic Director of PAR en Danza, based on the original work by August Bournonville.
Trained at the Royal Ballet School in London and having danced for 15 seasons with the Royal Danish Ballet, Alba Nadal revisits this work from the Bournonville repertoire through her first-hand experience of this legacy, preserving its musical, theatrical and stylistic essence. The piece transports us to the spirit of the 19th-century Paris Conservatoire and its vibrant, light-hearted and characterful world.

Si te caes, te agarro. The winning choreography of the Professional Jury Award at the 2026 Choreographic Workshops, created by Minerva Barca and Louna Yvonneau, a duo whose work stands out for its contemporary perspective and the strength of its choreographic language.
Synopsis: We immerse ourselves in a state of transition where, through the use of weight, we seek to achieve perfect balance. This is a piece of research and exploration of both dancers’ bodies in an unfamiliar space.

Romeo & Juliet (To Be Continued). A choreographic adaptation by Kevin O’Day, created exclusively for PAR en Danza, which reimagines Shakespeare’s classic story in the context of two rival Chicano families.
According to the choreographer, the work seeks to “explore youthful love and conflict from a contemporary perspective, leaving room for the audience to complete the story.” The result is a selection of key moments of passion, loyalty and rivalry that do not bring the tragedy to a close, but rather open the door to the audience’s imagination of what might happen next.